1235 Mixed media on paper painting set in stop-frame animation
“ There are a certain amount of ordinary moments in life that are considered neither here or there, these are spaces for otherness, for some considered irrelevant, that are simultaneously physical and mental, such as the space of a phone call or the moment when you see yourself in the mirror.” Michel Foucault
These spaces of otherness are infinite, disposed on time-framed dimensions that inexorably passes through, with or without our consideration. The experience of the traveler, consisting of a series of movements within space, producing a phenomenon of a new order, where geography overtakes knowledge. Our conception of spatiality shapes our perception of time, and, on an individual scale, defines our way of perceiving movement. Spaces trace an inventory of the adventure of knowledge, omitting nothing; knowledge traces cartography of known lands, omitting nothing. Acting as a prelude to a subjective perception of a suspension in time, White Time is a video installation where a simple figure stands in a not specific dimension. Surrounded by the surface of the black screen different elements interact with each other, mutating through the composition of an undefined spatial location.